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After ten years of running a gallery, showcasing artists, building a following and maintaining a solo art career, you learn a few things in the art world. The reason we start with an invitation to the artists (with a prompt), is not because we are “gatekeepers”, but because wee feel beholden to sell the work of hardworking artists within a framework designed for the partnering non-profit. Recognizing that some themes that were used previously to attract newer audiences may have been too narrow for creatives.

The prompt for “Decades” asked the artists to portray the decade that visually defines and/or inspires their work from the 1730s to present day. Knowing we only had 36 slots to fill, we asked artists that had shown before and started with solos then duets and then barely got to groups because we were full. The swift and positive response we attribute to a broad yet personal question that gave artists their own creative access and agency. So, yes, we are still learning and growing, 10 years later.


 

STAFF PICKS



MIND ITEMS



In today’s click-bait echo chambered world, the constant need for attention becomes a distraction ripe with self-inflicted drama. That’s why the majority of voice-to-texts read like a one-sided conversation. And coyly placed passive-aggressive compliments fall on deaf ears and questionable looks in public, leaving onlookers to question what personal inner conflicts the sayer possesses. So, punching in any direction while navel-gazing is at best inefficient by not seeing if they land the blow. Today’s world is challenging enough, and one never knows what other troubles our fellow travelers are moving through. Please try to Mind Your Gaps, as we are all on this crazy train together.


Having to deliver less than pleasant news to an artist is the worst part of gallery life. It’s similar to three cracked eggs upon opening the new carton. But sometimes a mess becomes an omelet. When Jamie Azevedo’s “paper dolls” project was shy one point away from winning the Up For Grabs, we knew we had to honor her lyrically morphic photographs of the divine feminine. Hatching the idea of offering her a show for Art Family Values to include her illustrator husband Lino, she was thrilled to share. Since Jamie’s work was already done, Lino responded with new work that complimented and contrasted hers. Proof positive that the hen came before the rooster.


10 questions


With Jamie and Lino Azevedo


In one word, what is your present state of mind? 

Jamie: calm

Lino: focused

Were there any challenges or new techniques used when creating this work?

Jamie: I'm continuing to practice layering in photo editing.

Lino: Being in sync with another artist to collaborate and make a cohesive show.

How many UFOs have you seen?

Jamie: Only the ones in Lino's paintings

Lino: maybe 4 to 6

Aside from art, what were your favorite school subjects in school?

Jamie:  History and Literature

Lino: Literature and PE

Name 3 people, living or dead, that inspire you the most.

Jamie: Anne Boleyn, Jackie Robinson, Eleanor of Aquitane

Lino:  Leonardo DaVinci, Gandhi, MLK

What is your favorite snack food?

Jamie: all the sugar

Lino: dark chocolate

What 2 colors have you put together that resulted in an unexpectedly amazing color combination?

Jamie:  mixing shades of blue

Lino:  Magenta and Yellow Azo

What do you listen to when creating artwork?

Jamie: history documentaries, classical music, Tori Amos, Yppah, and Film School

Lino: instrumental surf music, jazz, art podcasts

What famous artwork blew your mind when finally seen in person?

Jamie: DaVinci drawings (architectural/sketches/anatomy studies/technology designs) at The Met in NYC

Lino: Ivan Albright's works in Chicago

What is the most important trait for an artist to have?

Jamie:  to not take themselves too seriously

Lino: time management

 

STAFF PICKS



MIND ITEMS



Usually by December we have the next year’s line-up completely booked but having to shift due to unforeseen circumstances made our approach more circumspect for 2026. Being able to step back and guide each collaboration for the Art Family Values campaign has led us to foster our THEE guide.

T – Thoughtful

Is the work telling a story or using material to further a narrative?

H-Hardworking

Does the artist have a practice that professionally presents and finishes and does their artwork need to navigate after showing for further opportunities?

E-Empathetic

Is their work sensitive to the existing polarization in today’s world?

E-Elasticity

Does the work have an elasticity, an oscillation of color, form and/or composition that is compelling to the viewer?

The THEE guide is a guide, not a test or a strict parameter. Thee, in ye olde means you. You, the artist exchanging with you, the viewer.


Knowing that we always wanted to do a series of shows that showcased artists that are related, we needed a thread to initiate a campaign. Despite the duality of the artist’s styles, there is a connectivity from shared experiences that display color, form and composition. This becomes a visual conversation between people who know each other in closer ways than the viewer. But with so many different artists for the 2026 lineup, the connecting throughline became Art Family Values…because visually pairing is artfully sharing.


MIND ITEMS



Even though self-described as “Fabrically Challenged”, somehow, I have been deemed “Laundry Maven” of our household. Working from a home office/studio is a balancing act of self-imposed deadlines for home and work. So, when ideas get stuck or laboring through art inventory or collaborating with the talent, it does help to have a different chore that focuses on simplicity. The familiar monotony of lather, rinse, repeat, dry and shake, smooth, fold, and then stow becomes a calming break.  These acts usually provide a spark for problem solving and efficiency because the ideation was unforced. But no matter the diligence of “Laundry Maven”, there is usually a Mount Everest of laundry the week of a show opening.


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